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Meeting the right person at the wrong time can be the best thing that ever happened to you.

A young aspiring model has a very, very bad day, and starts to reconsider her career choice in the fashion industry.

Buenos Aires Province, a summer in the 30's. Mateo, an ex convict anarchist, travels around the Pampa in his old truck, carrying stolen hens and the illusion of finding his lost rooster, The King, which, he hopes, will lead him to glory at the cockfights. Fate faces him with Aurelia and Carmelo, two siblings in search for their father. Wandering, uncertain about his final destination, Mateo decides to give them a ride southbound.

As two teen siblings prepare to leave their childhood home, a forgotten letter brings back someone unexpected - the grown-up, jaded version of their favorite childhood TV character.

Throughout the ’80s John Hughes defined the teen movie genre and spoke not only to that generation’s teens, but every generation that has followed. Then in 1991 he hung up his director’s hat and disappeared into obscurity ala J.D Salinger. In 2008, a group of young Canadian filmmakers set out to complete a documentary about the man with what they hoped would culminate with an interview, which would be his first since 1999.

You Didn’t Know About Me proposes a filmic narrative to 7 characters, all with serious mental commitments. The themes presented are free: childhood, nostalgia and loneliness. The scripts elaborated are based on memories and experiences lived by the characters. The condition of invisibility, prejudice and stigmatisation is flagrant in the documentary’s narratives. The way the documentary is made exposes its making: the team and the director are unfolding as characters. At this stage, it is evident how the authors fictionalise personal stories from their past. The inter-dimensional perception of the narratives configures polyphonic plots, with forces in constant tension: directed with the most intimate for each character, and advancing to contemporary political and social issues. The plot surprises by this alternation of narrative focus, it manages to converge on themes that permeate everyone, and are common to all humanity, because of their poetic and existentialist character.

British academics Loretta and Bridget run into Sandra, an old school friend at a book launch. Although Sandra appears to be gay and carefree, Loretta notices an undercurrent of tension while Sandra stays with her for a few days. Loretta is saddened to learn her friend was killed in a car accident, and comforts Sandra`s estranged husband Tom, her daughter Lizzie, and emotionally disturbed son Felix. While doing so she becomes to believe the accident may not be what it seems, spurred on by the information a local policeman provides her.

Filmmaker Max Landis explains why wrestling isn't wrestling by breaking down his love for his favorite wrestler, Triple H.

A small-town sheriff is confronted with the deaths of local senior citizens and strange goings-on in his town.